Equipment hire

The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.

With a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you’d expect from this class but sports a new lightweight, handheld form with a streamlined profile and a “cage-free” design offering the ability to secure various accessories directly to the camera body.

The 5D Mark IV DSLR is an outstanding still photography option and a 4K-capable video machine. It offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

Featuring a large 1″ 15.03MP 4K sensor, the HC-X2 is can record high-quality, professional-grade video in up to UHD 4K (3840 x 2160) 10-bit 4:2:2 resolutions. You can also record 1080p in VFR (variable frame rate) in 10 increments from 2 to 60 fps, as well as record HD video in a super-slow-motion mode at a frame rate up to 120 fps. The X2 features numerous enhancements to its high-speed AF with face detection, HLG 13-stop dynamic range, a brighter monitor, UHD 4K image stabilization, timecode input and output, HDMI and 3G-SDI output, and built-in Ethernet and Wi-Fi.

Featuring a large 1″ 15.03MP 4K sensor, the HC-X20 can record high-quality, professional-grade video in up to UHD 4K (3840 x 2160) 10-bit 4:2:2 resolutions. You can also record 1080p in VFR (variable frame rate) in 10 increments from 2 to 60 fps, as well as record HD video in a super-slow-motion mode at a frame rate up to 120 fps. The X20 also features numerous enhancements to its high-speed AF with face detection, a brighter monitor, UHD 4K image stabilization, and built-in Wi-Fi.

The Steadimate-RS Aero 15 Arm and Aero Vest Kit from Steadicam converts your DJI RS 2, RS 3, RS 3 Pro, or RS 4 Pro handheld gimbal into a body-worn stabilizer system. This kit provides the gimbal yoke, post assembly, and balance stud from the Steadimate-RS, along with the required stabilizer arm and vest to complete your setup. The Aero 15 arm’s load capacity of 15 lb and various 1/4″-20 threads on the Steadimate-RS give you flexibility with your gear configuration.

The EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.

Offering a natural perspective along with a fast maximum aperture, the EF 50mm f/1.4 USM from Canon is a versatile normal-length prime characterized by its bright f/1.4 aperture to suit working in low-light conditions and for producing shallow depth of field imagery. Complementing the optical design is a micro USM, which enables quick and quiet autofocus performance along with full-time manual focus control.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

The lenses share a T-stop range of 1.5 to 22. The included lenses feature Sony E-Mount lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

Featuring improved rendering performance in a shorter and lighter body, Sigma’s flagship Sony E-mount 24-70mm f/2.8 DG DN II Art Lens deploys an advanced optical design for gains in sharpness, resolution, and portability. Additions like accelerated autofocus, a clickable aperture ring, and a scant, 6.7″ minimum focusing distance make this small-footprint follow-up ideal for those seeking versatility without compromising excellence.

The 17.3″ 4K Carry-On Broadcast Monitor from FeelWorld features a 1920 x 1080 display and support for up to UHD 4K30 signals. It comes fastened within a metal case designed to allow for efficient use while ensuring optimal heat dissipation and all-around protection on set. You can set it on the ground, lean it against something, place it flat on a desktop or similar surface, and carry it using the top handle.

With an updated operating system, HDR monitoring, and RAW recording capabilities, the Atomos Ninja 5.2″ 4K HDMI Recording Monitor is a 5.2″ on-camera monitor and recorder ideal for use on your next set. This monitor supports DCI 4K HDMI footage and can even record ProRes RAW up to 6K with compatible cameras. The Ninja retains the same form factor as its predecessors to be compatible with most Atomos monitor accessories for easy integration with your preexisting equipment.

Upgrade your video production setup with the Hollyland Mars 300 PRO HDMI Wireless Video Transmitter/Receiver Set in LA, available for purchase online at Mojo Computers. Experience seamless and reliable wireless video transmission, adding versatility to your gimbal, mirrorless, or DSLR camera rig.

High Capacity and Long-Lasting Power: This 8800mAh V-Mount Li-Ion battery provides extended power supply to your camera, ensuring continuous recording and minimizing the need for frequent recharging. Ideal for users who require a reliable and long-lasting power source for their broadcast camcorder.

The Zoom H6 All Black portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don’t immediately need the extras. With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.

Offering 8-input / 10-track recording, separate converters for quiet and loud sounds, and high-grade preamps with mic/line input switching, the F8n Pro packs quantity and quality into a rugged frame that’s more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering.

The Sennheiser XSW-D XLR BASE SET is an easy entry point into the world of wireless microphone audio for singers, vocalists, and presenters looking for a stage-ready system that’s both cost effective and simple to use. It puts world-renowned Sennheiser wireless sound quality in a miniaturized, plug-and-go, 1-button digital system that anyone can operate. Plug it in, power it up, and you’re immediately up and running, streamlining your setup so you can concentrate on delivering your performance with confidence.

The V15P Fluid Head & ENG/CF2 Carbon Fiber Tripod with Ground Spreader System from Camgear offers heavy-duty, 100mm ball-based support for a large video rig. Ideal for broadcast and ENG-type capture, this tripod system supports camera rigs weighing up to 44.1 lb and has a height range of 24 to 66.9″ for grabbing both low-angle and eye-level shots.

The system features the 504X fluid tripod head, the MVTTWINMC carbon fiber tripod, a leveling ball to adapt the head to the tripod, and a carry bag

The Aputure LS 600c Pro II RGB LED Monolight is a higher-output, higher-efficiency successor to the powerful, point-source light, also improving color accuracy. Its 2300 to 10,000K color temperature range allows you to use it on interiors, exteriors, and mixed lighting environments. In addition, the LS 600c Pro II features fully tunable RGB color with high CRI, TLCI, and SSI ratings. Its HyperSync technology ensures flicker-free operation and can be powered by an optional 48V battery or AC power.

The LS 600d Pro Daylight LED Monolight from Aputure is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1200W HMI, augmented by its 55° Hyper Reflector. The precision fixture has a solid 5600K color temperature with a high CRI/TLCI rating of 96 that is great for location shooting outdoors, or in areas dominated by other daylight-balanced fixtures such as HMIs.

This foldable and easy to store Collapsible Reflector comes in a flexible steel frame allows the reflector to be folded into a portable size, and it comes with a dedicated carrying bag.

This 10.75′ Impact Turtle Base C-Stand Kit, in a chrome finish, is comprised of a C-stand, 2.5″ grip head, and 40″ extension arm. The stand features a patented locking mechanism that allows the legs to swing out and lock into place for easy setup and collapse flat for storage.